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How to make an AI podcast about an academic subject

I’ve been trying Google’s Notebook LM to create podcast-like conversations from uploaded academic papers. My reaction to what it came up with reminds me of how I felt when Google itself first came along. Early users were so impressed that Google grew its customer-base by word of mouth alone - my mouth being one of them. I’m not going to be evangelising about NotebookLM in the same way because its practical value is still limited. But it’s still an impressive demonstration of what AI is already capable of. Notebook LM is a service that focuses on the material you give it, in addition to drawing on more general AI knowledge. You provide it with sources in collections it calls Notebooks, which are separate projects each devoted to a particular subject. The sources can be documents, websites, videos or pasted text. These are the ingredients of the meal it will cook for you. Once you have given it material to work with, you have the chance to interact with your project in many ways - aski...
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Morris, Motors and Modesty at Nuffield Place

A New Year’s visit to a National Trust property prompts questions about industry, philanthropy and British innovation. Nuffield Place in Oxfordshire was the home of Lord Nuffield (1877-1963), born William Morris, the British car-maker (and not to be confused with William Morris of the Arts and Crafts movement, some forty years his senior). Nuffield was the name of the local village and Morris took it as his name when he was made a peer in 1934. The house, near Henley-on-Thames, is sizeable but modest for a self-made multi-millionaire. Originally called Merrow Mount, it was completed in 1914 for a shipping maganate, Sir John Bowring Wimble. Nuffield added a large billiard room on the end. It was frosty yesterday, but the gardens must be lovely in summer with the wisteria out. Nuffield began his working life repairing bicycles before he began to manufacture them. He was a contemporary and competitor of Henry Ford, who had established the Ford Motor Company in 1903 and by 1911 had opened...

The AI miracle of my interview with the Hawthornes

As a PhD student studying the visits of nineteenth century Americans to Britain, it would be great to be able to interview them about their experiences.  Thanks to ChatGPT, and a plugin called Timeport ,  that is almost possible.  Below is my 'interview' with Nathaniel and Sophia Hawthorne, followed by a note about what the AI got right, and where it went wrong.  The prompt I gave was simply: " I'd like to ask questions to Nathaniel and Sophia Hawthorne about their travels in Britain."  Here's the conversation that followed, with my contributions in italics: Nathaniel Hawthorne As you take in your surroundings, a well-dressed gentleman approaches you. He has a sharp, intelligent gaze and a thoughtful demeanor. "Ah, a traveler from afar! My name is Nathaniel Hawthorne, and this is my wife, Sophia. We're here in Britain exploring its wonders. Might you be interested in hearing about our travels?" Thank you. I know you are living in Liverpool, for M...

Long live Lord Berwick! The appeal of an absent aristocracy

Attingham Park is everything a stately home should be: an imposing pile at the centre of a 4,000 acre estate with a history of aristocratic endeavour and profligacy. Today it's a thriving centre for tourists and local visitors. Staying for a few days at the National Trust property that's been created from one of its lodges, we wondered whether the constant clatter of cars on the cattle-grid outside, starting at eight in the morning, meant there was a rock festival that day. But no, it was just the locals coming to walk their children and their dogs, as they do every day - making Attingham the third most visited National Trust property in the country. The 'visitor experience' is beautifully organised by an army of mostly older volunteers doing everything from cutting down the rhododendrons to collecting tickets or just standing around in case anyone has a question. There's a cafe and a gift shop of course, and a large secondhand bookshop too. Car park Gift shop Was ...

Was Harriet Beecher Stowe another inspiration for Julian Fellowes' The Gilded Age?

I have only watched the first episode of Julian Fellowes' The Gilded Age (on Sky Atlantic in the UK) but having read some of Edith Wharton and Harriet Beecher Stowe, the story already feels a little too familiar.  Fellowes appears to have taken a few novels set around the 1880s, thrown them into a blender, seasoned with a dash of Downton Abbey and a drizzle of  Upstairs, Downstairs  and baked into a handsome multimillion dollar confection. My suspicion that this was not an original thought was confirmed when I checked the reviews. There was:  What HBO's 'The Gilded Age' Owes Edith Wharton from The Atlantic. The Gilded Age Review: Julian Fellowes Does Edith Wharton from Time. Google even offers a shortcut: The Atlantic is scathing about Fellowes' debt to Wharton: "Wharton’s New York, fully in thrall to money, celebrity, and power, feels almost more feudal than Downton does. But The Gilded Age takes this teeming morass of a historical period and essentia...

A Nathaniel Hawthorne geotracker

Nathaniel Hawthorne’s  American Notebooks  are part diary, part depositary of ideas for future fiction. He also uses them to flex his writerly muscles in describing day-to-day observations. And they  provide, inadvertently, the equivalent of a mobile phone location tracker when he refers to places where he was living or visiting.   The notebooks span the years 1835 to 1853 but are far from comprehensive - with no entries for the years 1845 to 1849.  Sometimes several entries are only days apart  and  about the same location. It's as if he's trying to fix a place on paper and that no particular entry satisfies him so he must try again by adding more detail or improving his previous work:   Blue Hill in Milton, at the distance of several miles, actually glistens with rich, dark light, -no, not glistens, nor gleams -but perhaps to say glows subduedly will be a truer expression for it.   Earlier in the same entry, he puts it more generally: No la...